![]() ![]() ![]() The photographic image is an image- physically and perceptually removed from its origins in the world. ![]() But such statements are founded on unexamined assumptions. On top of this come the claims of widely different filmmakers that the narratives they construct out of these moving pictures are themselves ”real,” that they mirror, ”the world,” show us life, give us psychologically valid characters. Because the first principle of filmmaking is the photographic reproduction of something that exists-a street, a room, a face-and the putting of that photograph into motion, the idea that film has a close relationship to the physically real world is inescapable. 1The word ”realism” is the most problematic in any discussion of cinema.
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